If you had wondered what was dedicated to assembling the revelation trailer of the Witcher 4 of the iteration of the game of the game last year, then today is your lucky day. CD Projakt took a video behind the scene that deepens how exactly that did.
While there are some solids that will be familiar if you have been tracking what the various developers and people involved with the game have been saying since that first trailer arrived, the video still has many interesting pepitas.
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As explained by several developers and Witcher staff by Platige Image, a Polish production studio specialized in things as visual effects with which CDPR worked in the trailer, much effort was required to meet. There were 14 days of MO -cap sessions, with actors doing things like fighting a maneuverable pipe structure designed to simulate monstrous battles Ciri: a bauk.
There were also three days of filming of the real world designed to help the team try different lenses that wanted to recreate digitally and nail the appearance of the movie they were looking for. “Distortions, lens flares, Bloom, [and] How the bauk’s head behaves “is the kind of things mentioned as captured, but judging by the video itself, there were also a woman running through a real forest with a garland of flowers in the head like Mioni, the girl The girl the girl.
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Another interesting detail refers to the monologue given by Mioni’s father at the beginning of the trailer, and confirms something he probably picked up when you saw it for the first time, basically, the idea was that as part of the symbolic parallel between Ciri and Mioni as a young man as a young man Young women are given the fate of trying to save people, this speech coincides with both characters.
“Actually it was really important for us to write this monologue in a way that Geralt could also have said that about Ciri,” said narrative director Philipp Weber. So, at least if Gerry you ever have to attend your wedding, you can relax knowing that your speech is ordered, and dedicating all your energy to moaning for having to use a double.
In other recent news related to CD Projakt, a work list for the Cyberpunk 2077 sequel recently hinted that the study potentially aims to offer “the most realistic and reactive crowd system in any game to date”, although reading in description Work rarely paints the complete panorama of the complete image of how a game could end.
