As Christopher Nolan prepares his film at Universal, there has been more talk about his post-Guidelines relationship with Warner Bros. and whether he has had any serious conversations about James Bond during the day. The extreme seems like a given, but can we really need that from him?
Some options shed some light on where Nolan is at right now, how his previous studio tried to lure him back after a slump following Guideline’s relaxed strategy, and whether he properly flirted with the 007 IP at some point. It’s an interesting read, but I have some thoughts on this whole ‘Nolan doing Bond possibly later’ thing.
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First things first: We apparently won’t be able to include a return to Warner Bros. anytime soon, as Selection’s report claims that “Warner Bros. wrote him a seven-figure check, returning the ‘Tenet’ fees he gave up ” following WarnerMedia’s divisive 2022 merger with Discovery and the resulting regime swap. It’s been said that Nolan passed the test, but he still went ahead with Oppenheimer at Universal and kept his then-film in the playground there.
Now everyone is trying to figure out what their movie from back then is going to be about. Some say he could return to the espionage area, which wouldn’t be a miracle, given that he has an overabundance of genre recognition and both Inception and Guideline had crystal clear Bond influences. Truth be told, this might be the first reason why Christopher Nolan’s James Bond will never happen (and that would be the right thing to do).
The Selection article teases that Nolan certainly flirted “with making a Bond movie at one point.” This wouldn’t be a miracle even though the filmmaker recently rejected that concept; Such conversations may have taken place long ago, during Daniel Craig’s Nature Month. The ultimate Bond and Nolan enthusiasts would be delighted if they were ever given the keys to 007’s Aston Martin, but it seems he no longer wants to leave his mark on the well-known British film line.
Inception and Guideline have necessarily been about ‘dream spies’ and ‘daytime spies’ respectively, with an even harder extreme lean towards Bond influences. We’ve already gotten a look at what a Christopher Nolan-directed Bond movie could be, and they’ve been making creative sci-fi noises about it, too. Why would people be really excited about Nolan taking on ‘just familiar spies’ and then passing on the appeal of the IP and crossing his name off a list of major directors who have played with the 007 mythology?
If this type of challenge makes sense in general in a scenario, what could you do there that you haven’t already accomplished? Instead, I would ask you to upload untouched, unused twists to a style you obviously love and admire.
